Green

 

Like I mentioned in my last post, I'm not sure this photo has anything to say but I do like the colour and the lines.

Form and Content

 

When I took a photo class many moons ago, my teacher told me that I was good at form/composition but weak on story/content. I had balanced compositions, strong lines, etc, etc, but my pictures weren't about anything. They were just design. I think he was right. I worked at it.

   I think the above photograph is pretty well composed. It goes from dark to light, there are repeating vertical lines in the concrete and the wires, there's a triangle of meters, and it's simple. (I am wondering about the line on the far left, though. Should I leave it in so the eye doesn't fall out of the frame? Or take it out to emphasise the dark/light progression and remove a possible distraction?) But does it say anything? Maybe. An electrician might have something to say about the quality of the meter and wire installation. A painter might have some opinions on how the paint was applied. I have neither of those trades, but to me this looks thoughtfully done and haphazard at the same time. I probably made this photo because I liked the composition possibilities and because, frankly, this is very neat compared to some of the electrical work you see outside buildings and I wanted to record it.

   Anyway, hope you like it, for whatever reason.

The last roll of black and white film I had developed and scanned was Ilford XP2 Super 400. The only photos worth keeping were a few of me and the cat.

    Selfie in Traffic Mirror, Sangdomun Village.

When in doubt, photograph a cat.

Camera and film reminder

I finished a roll of Foma 400 in the Nikon F80 recently and when I use up the roll of Portra 160 I have in the fridge I'll send them both off for developing and scanning. And then . . .? I'm not sure. I like film but I'm skint. I'm not sure I'll buy more film in the future. Not only is it expensive, but I'm in a major slump and I don't even bother with the digital cameras much. So, we'll see. Or not see . . .

Buildings and Poles

 

Hotel and Clouds

High-Rise Luxury Apartments

Luxury Apartments and Lightpole

Bus Shelter and Utility Pole

All photos made on Kodak Ektachrome E100 in a Nikon F6 camera. Would these graphic photos have looked better on digital? They would certainly be cheaper.

The day was quite bright, as you can tell, so I used manual exposure to avoid blowing out the highlights, especially in the buildings.

Yeongnang Lake

These are scenes I think I've shared before but probably in different light and on different film or on digital.

Bird Perches. Nion F80, Kodak Ultramax 400.

Apartments Across the Lake. Nikon F6, Kodak Ektachrome E100.

Man on Bus

 

I thought this was a good result when I got the scan from the lab and touched it up in Lightroom. I liked the composition and the interest that the woman getting off the bus added. But, looking at it again today, all I can think is that the man has an old lady growing out of his shoulder. Ah, well. I often take the buses so I might get a chance to make a better version later.

Yongchon Village Farming

Quite a while ago, I bought some Kodak Ultramax 400 film. I don't remember why. I think the plan was to use it in my Nikon F80 for snapshots. It took me a while to use it up and then send it away for developing and scanning, along with a roll of Ektachrome 100 and Ilford XP2 Super 400. Out of those four rolls of film, I had thirteen keepers, a rate of 9%. Not bad, I suppose, though I should have been more careful. The cost of the film, delivery, development, and scanning cost me 163,000 Won, which means each keeper cost me 12,538 Won. Holy crap. If I include every photo on those rolls (144 frames), the cost is 1,132 Won. Still not cheap. I have two rolls of film at home at the moment. Possibly my last.

One of the places I photographed on the Kodak 400 was the village of Yongchon. I've posted photos from there many times before, but here are a few more . . .

Cultivator in Greenhouse

Rice Plants

My Bicycle and Rice Field

 I like the look of film, but I'm not sure it's worth the price. Especially since I'm not working. The money I spent recently on film and developing might have been better spent on a digital photography post-processing course . . .